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Inside Chateau-sur-Mer, an Italianate-style villa known for its extravagant parties during the Gilded Age

Chateau-sur-Mer.

William Shepard Wetmore made his fortune as a merchant importing tea, silks, and other goods from China. He and his wife, Anstiss, had three children: William Jr., George, and Annie. William Jr. died of scarlet fever in 1858.

Anstiss separated from the family when their children were young — she was rumored to have run away to Europe with a coachman.

George Wetmore inherited the home when his father died in 1862.
Chateau-sur-Mer.

The Wetmores hired Richard Morris Hunt, the same architect who later worked on Vanderbilt estates in Newport, to restructure and redecorate their home while they traveled through Europe.

Chateau-sur-Mer was the earliest Newport mansion to host lavish parties such as debutante balls and a Fête Champêtre picnic for 2,000 guests. It remained Newport’s most extravagant residence until the Vanderbilts built homes such as The Breakers and Marble House in the 1890s.

The Preservation Society of Newport County bought Chateau-sur-Mer in 1969 and maintains the historic mansion as a museum.
The Stair Hall.

A French sculptor named Émile Guillemin created the bronze statues on either side of the staircase, and the painting on the stairway depicts the biblical Tree of Life.

“What we have here is a perfect example of how no surface would go untouched by an artistic hand,” Leslie Jones, the director of museum affairs and chief curator at the Preservation Society, said in the audio tour. “So it really is an example of how this house is a work of art itself.”

The stairwell also appeared as part of Mamie Fish’s house in New York City in HBO’s “The Gilded Age.”

The Library was George Wetmore’s domain for relaxing or hosting meetings.
Bookshelves in the Library.

The bookshelf on the right side of the room was a secret door that opened up into the Morning Room. The Morning Room once housed a billiard table, but is now used for checking in visitors.

The Marble Hall Gallery displayed pieces from the Wetmores’ art collection.
The Ballroom.

George and Edith Wetmore held their daughters’ debutante balls in this room. George’s sister Annie also held her wedding there.

An enormous mirror reflected the ballroom’s glass lamps in addition to serving as a status symbol.
The Green Salon.

George Wetmore’s daughters, Edith and Maude Wetmore, helped found the Preservation Society of Newport County and hosted its first meeting in the Green Salon in 1945.

The table in the festive Dining Room could seat 24 people.
The Dining Room fireplace.

The carving depicts Bacchus, the Roman god of wine and frivolity, surrounded by mythical creatures.

The wallpaper in the Dining Room was made of Spanish leather covered in silver and stamped with flowers.
The Pantry.

The Pantry also contained a dumbwaiter that transported food up from the basement kitchen to be plated and served.

The items on display were part of the Preservation Society’s collection, not the Wetmore family’s.
The Second Floor Hall.

Chateau-sur-Mer spanned three stories, plus service areas in the basement which are closed to the public while they undergo preservation work.

The Great Hall on the first floor was also visible from the balcony.
George Wetmore’s boyhood room.

After inheriting Chateau-sur-Mer in 1862, George Wetmore commissioned new bedroom furniture in 1869 from Marcotte, the interior designer who furnished the Ballroom.

The headboard of the bed featured a monogram with George Wetmore’s initials.
Annie Wetmore’s bedroom.

George Wetmore’s wedding gift to his sister and her new husband was a piece of Chateau-sur-Mer’s land, where they built a home. The property, known as William Watts Sherman house, is now a dorm for Newport’s Salve Regina University.

Annie Wetmore’s bed also featured a monogrammed headboard.
The Second Floor Hall.

The hallway didn’t have any windows since it was located in the middle of the house.

The Turkish Room, decorated with Islamic art, functioned as a private sitting room.
George Wetmore’s bedroom.

His daughters, Edith and Maude, left his room exactly as it was as a tribute to their father.

His bedroom was decorated with images from nature, a hallmark of the Arts and Crafts movement from the late 19th century.
Edith Wetmore’s bedroom.

The slipper chairs at the foot of the bed were constructed low to the ground to make it easier for women wearing corsets to change their shoes.

Her bedroom also featured a Boudoir, which Edith Wetmore used as a dressing room.
The grounds at Chateau-sur-Mer.

The Wetmores planted European weeping beech, London plane, Japanese maples, and Sargent’s weeping hemlock trees in their arboretum.

Chateau-sur-Mer remains unique as a mansion that predates the presence of other wealthy Gilded Age families in Newport.
Chateau-sur-Mer.

While many Newport “cottages” were only occupied for a few weeks each year, Chateau-sur-Mer was the primary residence of the Wetmore family for three generations. It’s a smaller, humbler residence than the Vanderbilt estates, but its exceptional architecture and history make it a worthwhile stop along Newport’s famous Bellevue Avenue.